
Tuesday, July 20, 2010
Round Two

Tuesday, June 22, 2010
In Hartford, Hereford, and Hampshire, Hurricanes Hardly Happen
There are certain days where my life feels like this scene in My Fair Lady. Or more precisely, the part preceding it, which leads to Higgins slumped over his desk and Colonel Pickering with a newspaper over his head.
Sunday, May 30, 2010
Starting New Traditions

Tuesday, May 18, 2010
Kate Bobs Her Hair
And other tales of new beginnings and misguided self discovery.

Poor blog, left sad and alone to rot, nearly forgotten, on this poor corner of the internet. How I have missed you.
But in Japan, Spring is slowly turning into Summer and nothing is sad and forgotten. Today was the latest in a string of beautiful days and I couldn't be happier. I feel as if now, I am finally getting settled into a routine for the new year.
For most of the world, the new year is in January. The year turns ahead and we begin again. As if the changing of the calendar signifies the start of something new beyond just the date. It's that way most of our lives.
Or, in a different mindset, when we are younger, we say September is the beginning of the new year. Summer is dying, the world is cooling off, and we mourn the passing of the fine weather and the certain freedom that inherently comes with summer by starting the new year. Death of freedom to the rebirth of routine? It's very poetic.
But as with most things, as I've come to find many times before, Japan does it very differently. The new year in school, work, and most people's mind, is in April. As Spring first blossoms and the winter finally leaves us behind, we begin the new year.
There's something extraordinary lovely in the simplicity of that.
I've had people tell me that they have talked of changing the beginning of things, especially that of school, to September. The government wants to give the people of Japan a way to be more in tune with the rest of the world as we become an ever-growing global community. But the discussion never goes beyond talk for one significant and very crucial reason.
Graduation and School Entrance ceremonies must coincide with cherry blossoms.
It sounds silly, but for a brief two weeks Japan is beautiful. Everywhere you look is pink and blossoming. Normal streets become beautiful and natural scenery becomes extraordinary. It is the time of hanami, or picnicking under the numerous sakura blossoms. And for Japan, a land or stout tradition, it seems sacrilegious to have a beginning of the year not decorated lovingly and pristinely by mother nature.

Which I can understand, because my second cherry blossom season lost none of the charm of my first. There is a certain calming presence that comes from watching the pink petals fall. It's amazingly peaceful, and despite the reveling around you, can be very zen at the best of times.
Which was very important as I started my second year with my company. It was, as I said, the beginning of the school year and my company was no different. I learned a new schedule, a new set of school and classes, and got a whole new batch of students. In truth, I have a fantastic second year schedule with a great bunch of kids and adults. All of my kids are (so-far) well-behaved and my company class is a dream. I teach business-level english to three very successful and intelligent men I am most likely not qualified to teach. But I still feel very privileged to do so.
But easy as most of the change was, there were still the quirks of commuting and trains to figure out. And while I just now have it down, I am beginning to miss my old schedule. Which seems silly, for I don't miss the schools, just the commutes I took. I loved my Friday afternoon train rides out past Gifu, going past mountains and rice fields on a nearly empty three o' clock train. I liked my long Thursdays of traveling, using several forms of transportation, as I commuted across Aichi and Mie Prefectures to several business to teach.
But most of all, I miss the Meitetsu Line. It is the regional line in Nagoya, less regular, only written in Kanji, and with an insufferably confusing platform system. But I loved it for its imperfections. It was cheaper, easier to access, and the trains were a hell of a lot more fun.

If I can get to work on a train decorated with Pokemon, I call that a win in my book.
I've also been getting to know my city much better as I recently purchased a bike. It surprised me how utterly dependent on subway transportation I had become in the cold winter months, and now with my very Asian two-basket bike, I fly around Nagoya's streets as I get to know her a little better.
So it's a new year, with a new schedule, a new attitude, and a new haircut. About three weeks ago, I decided to completely lob off all my hair. Sick of the increasingly unmanageable tresses that were way past my shoulders, I went in on a Friday afternoon and told them to bob my hair.
The hairdresser looked at me with more than a little apprehension. I guess he thought maybe he had misunderstood; his english is practically nonexistent, and my japanese is very poor when it comes to situations of long description. I kept saying "A short hair cut!" while moving my hands in a wild pantomime of nonverbal instructions. He pulled out a photo book and laughed, a typical response to linguistic confusion. I finally pulled up a photo on my phone, and my varied explanations were understood.
The salon is a local place, only a few blocks from my apartment. I found it unexpectedly as I walked to the small train station just down the street. The place is clean but hip, and the cut is not very expensive. And I know I get the standard treatment. But the standard treatment here is above and beyond most places back home.
For example, a head, back, and shoulder massage are part of the package deal. When they shampoo, you get a head massage during as well as after. They massage your scalp, a scented hot towel on your face (of which you get a choice of scent). They then take you to a special chair where you hang over what looks like a bean bag as they massage your upper body. Shoulders, back, arms and hands.
It's unexpected, but delightful.
And the sink they wash you in is so different from the ones I've experienced back home. There is always a sense of discomfort to the ones in the States. As if my head is pulled back slightly too much, and I'm both choking and trying to hold my head up within her reach. But not here. Japan has an aerodynamical design that completely eradicates the discomfort of hair washing. I don't know how that did it, but we seriously need to import that information home.
And while he cut and styled my hair, I was impressed by the details her recalled from my life. I had been there once before, and yet he remembered where I was from, my job, and even my favorite kinds of movies.
Now that, my friends is service.
So I left with the shortest, but possibly one of the best hair cuts I've ever gotten. It was exactly what I wanted, and I was quite pampered in the process. I am still getting used to how short my hair is, but change is good.
New is good. And as I venture into my second year here, I look forward for what else awaits me around the corner.
Friday, November 20, 2009
Of Hopefuls and Heroines
While finding my mindless reality TV online was not difficult, watching it actually brought back to mind many things I had forgotten. Like the fact that the second season of Project Runway was surprisingly great, both with the drama and the clothes produced, so much so the current incarnation is a poor substitute. I remembered that Tyra taught me that there is a difference between smiling and smiling with my eyes, and the seriousness with which she imparted this lesson. And lastly, how ridiculously stupid some people on these shows can be.
Sunday, April 12, 2009
Because When the Sakura Comes Out, The Inhibitions Leave

I have not updated in some time because life, fortunately enough, has kept me far too busy. The new school year has began, so I’ve been learning the routes, getting to know my schools, meeting my students, all while trying to find time for fun in between.
But as I get more used to life in Japan, I found that these past few weeks, thought the busiest, have been some of my favorite so far. After about two months here, and one and a half months of full time working, I am finally feeling settled. And now that I have really set down roots and let them begin to grow, I feel like I can really enjoy lots of the little things that are around me.
For whenever moving to a new place, everything inundates you all at once. Everything is bright and new, so you scramble to find places to go, various things that need to be set up, and items need to be found to make it feel more like a home. And now, as I slip into a daily routine, I find I actually sit back and appreciate the small things around me. In the last two weeks I have gotten my schedule for next year, set an actual date for internet installation (April 21st), and settled all bills and bank accounts in Japan. I am here, and now to stay.
But with that all done, I’m over the mass deluge of information and experiences that had been my first two months in Japan. Now I’m onto taking in things one at a time, and as the season changes to spring, oh boy have I had a few firsts. It’s the rebirth of the year, and I’ve had several first experiences that have left me equally amused and awed.
Spring, in history, has come to celebrate rebirth and fertility. And in a country like Japan, what better way to celebrate such a time than with a whole festival dedicated to fertility. It is another thing to add to my list of inconsistencies about Japan; the melding of old and new. Because can anyone else think of a modern industrialized nation that still has ancient Shinto fertility festivals? I sure as hell can’t. But in the town of Komaki, at the Tagata Jinja shrine, the Hounen Matsuri festival is alive and well.
As I mentioned, the festival technically celebrates fertility, but it is the way in which it is celebrated that drew our attention. It is the usual fare of too much food and drink, traditional music, and overpriced trinkets, but with the staggering addition of an 8 foot carved wooden phallus that is paraded down the street.
I think that should be repeated. An 8 foot male sex organ.
If it sounds unbelievable, they you only feel about a third of the shock I did upon seeing it. Hearing of such an event, I knew I had to attend what we gaijin affectionately call the Penis Festival.
We were warned before we left that there would be only two types of people there: old people celebrating the religion, and drunk foreigners there to see a huge wooden penis. And this prediction turned out to be true. But even though it was half foreigners, the penis festival was definitely one of the most surreal experiences I’ve had in my life. The Japanese are a very subdued, reserved people. They may have wild signs and clothing, but the people themselves are quiet and shy, and as compared to westerners, don’t try to stand out above the rest. And yet, at the same time, no western country could even fathom having something as insane as a celebration of penises.
Leaving Nagoya station with about 40 other people I work with, we set out trying to imagine what to expect, and ended up being completely bowled over by the reality of it. As I left the train station in Komaki and came upon the shrine, I was immediately inundated by penis lollipops, penis picture stands, penis souvenirs, and phallic shaped food items. Giant carved penises were set up around the fair grounds as children ran around with bright pink penis lollipops in their mouths. It left me half blushing and half awed, but entirely amused. Through an odd mix of uneasiness and pure amusement, the foreigners I was with couldn’t help but crack jokes the whole time. I spent a few happy hours on the shrine grounds, enjoying the festival food, annoying the Shinto priests, and buying inappropriate souvenirs, but by the time I was just getting tired of it, the main event began. And what an event it was.
A long procession of priests and local officials, all in ceremonial garb, paraded by with various religious items on wooden portable shrines as well as flags painted with uncomfortably realistic phalluses. And then the center of the festival itself arrived in all its glory. Upon its appearance, everyone I was with was felt the repressed Puritanical western tradition ingrained inside of us stir to life, and immediately degraded into giggling 6 year olds. Though we are all in our twenties, we felt like naughty children; doing something we knew was wrong, and both thrilled and frightened by the possibility that we’ll be caught in the act. But our own reactions, coupled with the Japanese’s complete lack of one, made the situation, as well as the entire day, absolutely surreal to me.
But special e
I also took my first trip to a famous rotary sushi place, Kappa Sushi, where you sit at a table while various sushi and sashimi whiz by you as everyone does their best to eat as much as possible. And speaking of food, I have discovered an unknown passion for Japanese food. Takoyaki and okonomiyaki may be some of the best things I’ve ever put into my mouth, and the cheap eats at Izukaya, especially the Tabasaki Nagoya is known for, is always worth the price. Even on my birthday, I got a birthday cake from two Japanese friends that may be one of the best bought cakes I‘ve ever encountered. There is a subtle sweetness to cakes and other desserts here that I find I prefer to the over sugared concoctions that many places in America have.
And though the night before my birthday was spent with friends out and about in Nagoya, then till the wee hours at my apartment, my actual birthday was spent more relaxed. It was a vary warm and sunny afternoon, so I woke up late, strolled downtown to meet up with some friends, and on a whim headed out to Gifu to take in the mountains and nature there. Though we attempted to make it to a hot springs, keeping with the theme of relaxation, we never quite made it. Instead we ended up going to Gifu Park, which is a huge cluster of mountains at the edge of the city with a castle on top. The park itself is beautiful, but we took the ropeway all the way to the top to get the Panoramic View of Gifu and the encircling mountain ranges. It was near twilight, so the orange sun lit up the uneven rooftops of the surrounding city and winding river in a subtle color display. With that shining in our eyes, the mountains then stretched out nearly endless around us, their edges growing hazy and ill defined in the mist the further out they went. The beauty of it left me so breathless that we sat quietly at the top of the mountain, gently soaking it in as the sakura fell around us.
But sakura brings me to my now favorite part of Spring: hanami. Hanami is the name of the traditional cherry blossom viewing party, which consists of lanterns, fireworks, picnic spreads, music, dancing, and that staple of every Japanese celebration: alcohol. But despite the Japanese’s deep desire to try to make everything cutesy and neon, the cherry blossoms is the one thing they could not really taint with such trappings. I went out to Okazaki where a woman I work with lives, about 30 minutes from Nagoya. The town has a beautiful old castle set on a hillside, large stone bridges, and cherry blossoms that spread out and line the Yahagi River. And regardless of the Japanese’s grandest effort to saccharine-soak the Okazaki Festival into tackiness, the austerity and simple beauty of Okazaki and the Cherry Blossoms themselves thwarted their best efforts.
Setting up just on the edge of the castle grounds, we laid our blanket out next to a large arching bridge strung with softly lit red lanterns. Underneath a particularly beautiful tree with Okazaki castle rising just before us, we enjoyed an early dinner of festival food and convenience store snacks. And as the sun set and the sky grew dark, lights strung through the trees came to life. Strands of traditional music floating down from the castle, the melding lights of the lanterns, trees, and colored booths around us, with food and drink warming us from the inside, it was one of those moments that could only be described as perfect. Maybe its because it was my first hanami, maybe its because traditional Japanese things still charm me, or maybe it is because hanami is the simple and artless Japan that reveals itself with such rarity, but it really was everything that I expected it to be and more.
So though this is beginning to sound like a love note to Japan, I do now understand why everyone says spring is the best season here. And even if its because of the natural beauty of the new season, or the excitement of a new chapter in my life, I have found enjoyment out of every new endeavor I’ve been fortunate to come upon.
And what more could a girl ask for.
Friday, March 6, 2009
Art for Art's Sake
So preparing a lesson the other day, I came across the idiom Art for Art’s Sake. I was supposed to be planning on how to explain such a phrase to a non English speaker, but it only made my mind wander to art. Being inclined as I am, I realized I haven’t really talked much about the art here. This is something that needed to be rectified.Japan is the biggest mix of the beautiful and the garish I have ever seen. There is the austere beauty of temples and gardens, and yet overly loud and gaudy resonances in the signs, music, and fashions. Its this clash of old and new that makes everything so fascinating, but there is no doubt that no matter what, Japan has a highly visual culture. Whether it be traditional or pop art, it constantly surrounds you.
It really hit me this last Sunday as I spent the day walking around Nagoya. We have had a stretch of rain, but that day had perfect weather, with a sunny blue sky and unseasonably warm weather. I threw on my light trench coat, grabbed my ipod, and walked. It actually turned into the perfect Sunday, for apparently Sunday is the day to walk around Nagoya.
As I wandered to meet some people in Osu Kannon, a neighborhood south of my own, I let the music on my ipod wash over me. I find that when I walk through the city streets by myself, especially when listening to music, I become much more observant to things around me. I start to pick up on the little things that I pass over every time. It was in this way that I finally realized the subtle beauty of some of the daily things in Nagoya.
My street, being as busy as it is, is a bevy of bright lights and restaurants. But there are tiny pockets along the way that stand as a stark contrast to the overpowering brightness of such things; small, beautiful places that are easily ignored unless you are really looking. For example, there is a Buddhist temple on my street. In between the large buildings, convenience stores, and gas stations, there stands a beautiful old temple that is easy to miss unless one is looking. It is not very large, but it is everything one would expect a temple to be, with arching gates, peaked roofs, and a giant brass bell. Its absolutely breathtaking in its Zen-like austerity.
But there are even smaller touches that can be ignored. My neighborhood is very residential, and mixed within the newer houses and apartment buildings there pops up every once in awhile a very traditional home. It still retains the Japanese style roof, wooden frames with sliding doors that open onto tatami mats, and gated entrances. They look exactly like they may have 400 years ago, with none of the modern trappings of everything else around them. I find myself caught off guard and entranced every time I happen upon one. But as beautiful as they are, I find my personal favorite are the manhole covers.
The Japanese like to turn everything, from writing to clothing to advertising, into an art form. And for me, the manhole covers have been one of the most delightful surprises. I have actually taken to taking pictures of new ones I find, for there are quite a few around Nagoya. I think my personal favorite is the one of Nagoya castle, which is in and of itself a beautiful sight to see. But here are a few prime examples:
And these are the beautiful things that are tramped on and maybe taken for granted by most people here, except when seen through the eyes of a foreigner. But the wild stuff can be beautiful in its own right, if not fascinating in its ridiculousness. I leave work right before dinner time, dressed conservatively and mentally unwinding from the day. And as I begin to relax, my tired mind is suddenly inundated by a loud open shopping center with bright, shining lights and lots of people. The people themselves, then, range from normal to over-the-top, with the over-the-top taking the spotlight. They are young Japanese people with dyed hair, styled to gravity-defying proportions, held up with gel and possibly magic to break the laws of physics as they do. Some go ultra blond and tan to look “western,” with both sexes going with large, bouffant hair. But whether blond and tan or not, the clothing ranges from stylishly ripped, loud, tight clothing, to “hip hop” style with velour track suits and rude, grammatically incorrect English phrases, to bastardized interpretations of 1950s American style, complete with leather pants and poodle skirts. But no matter what subsection these youths belong to, they are all like walking pieces of pop art, with everything being loud and bright and highly stylized.
And as if this wasn’t already a feast for the eyes, then the music wafts in. Asunal Shopping Center has an Asunal Live! Stage where various musical acts and idols perform. Every time I walk out, I am greeted by another J-pop concoction. Infectiously catchy in its mass-marketed way, I can’t help but stop and listen for a moment, if not just to laugh with a few other teachers as we marvel at their clothes and carefully manufactured siren song. I love when the young female idols sing one simple song, and then are surrounded for 40 minutes by adoring fans of awkward youths and middle aged men. But as hilarious an interaction that is to watch, my personal favorite so far were the J-Soul Brothers. A group of 7 Japanese male idols, they are a carefully constructed group where two of them actually sing, five just kinda sway in the background looking cute, and their music is anything but soul.
But if all that makes up Asunal is amusing, these factors were only intensified in Osu on this past Sunday afternoon. After my contemplative walk, I met up with a few people in Sakae and headed towards Osu. After walking through the beautiful Osu Kannon temple, we were then greeted by bright lights and painted walls to welcome us to Osu Shopping center, an open air shopping center that spans many blocks. And though I had been freely talking and laughing up until a moment before, after I entered the shopping districts, everyone I was with spent half the time in an almost awe-struck silence. Lured by the smell of takoyaki, the noise of people, and brightly colored shops, we poor gaijin were struck into silence by it all coming at us at once. And when we left, back out into the safety of the temple, we were nearly breathless from the experience.
Multibabel
It seems that, on average, it takes at least two months to get internet set up in Japan. I have been without it for about one month, and I can‘t even comprehend one more month like this. My cell phone has become somewhat of substitute, albeit a poor one, but it only keeps me loosely connected. But beyond that, I never truly realized how much I relied on it for entertainment until I have been without it for a extensive amount of time. So for that reason, I have found a considerable lack of things for me to do in my apartment when I get home from work. I have tried Japanese television, which despite being unintentionally hilarious, can get old after awhile. Then I tried DVDs, but a limited supply keeps me restricted. So now as I stumble in from work, I long for some form of entertainment as I cook dinner. But worst of all, the lack of fast internet in and of itself is an inconsistency for me. A country that has such advanced technology and internet, even going so far as to get television on the cheapest of cell phones, can’t get me a decent internet connection in a short amount of time.
When I think of it, the term multibabel comes to mind; how nuances of meaning are lost in translation, but the general message remains the same. And in truth, I feel that’s what I have been experiencing. Things that are similar enough to connect us, and yet different enough to keep it interesting.


You walk into the brightly colored building and pay a flat rate. This gets you a private room for karaoke, free drinks the entire time, and an endless amount of bad 80s rock ballads to keep the night going. Sitting in the dark karaoke room, surrounded by TV screens, tambourines, and drinks, you cant help but belt out every bad song that comes up on the screen. With an extensive list of English songs, it was like a catalogue of songs drunk white people like to sing. I swear, I have never sung so much Queen in my life. (Which I would like to have my Aunt know had the largest collection of songs of any band in the English language section, and I have heard them many a time in bars and department stores. She was right about how popular they were here.)
If you are not familiar with Japanese writing at all, there are two main alphabets. Kanji is the very difficult one with thousands of characters, and really, you must study for years to master. You need to know about 2,000 just to read the newspaper. The Kana, hiragana and katakana, conversely, only have about 60 characters total and are much easier to learn. This is the writing that is used on menus and signs and in most daily usage, and the one children learn before they move on to the more difficult kanji. It’s a phonetic alphabet used for Japanese words and loan words, and each character represents a sound in the word. So where as my street, Kurumamichi, only has two Kanji to represent it, in the Kana there are 5 characters, one for each sound (Ku-ru-ma-mi-chi). And that, my friends, is a simplistic and very short explanation of the very confusing writing system that surrounds me daily. Between the two, the Kana alphabets are much simpler and much more useful. I will never be able to read a book with Kana, but I will be ok with menus and food packages, so it is the writing I have been working on mastering.
Between the writing section on my Japanese lessons and workbooks I have purchased (Let’s Have fun with Kana! I’m serious, that is the title), I have been working on learning a few characters each day. And in truth, I’ve really enjoyed it. This last Saturday, as I got home really late from my shift, instead of going out, I stayed in and practiced my Kana for a few hours. And seriously, I had fun doing it. There is something so artistic about the characters that I feel more like I’m drawing then writing when I practice. At this point I only recognize a few characters in a long string, but when I do? Its very exciting.
So now that I’ve sufficiently bored everyone with the intricacies of the Japanese writing system, this all goes back to my respect for the Japanese I am teaching and the fascination I have for the differences and similarities between them and ourselves. So I leave you with an interesting anecdote the illustrates this fascinating cultural exchange.




